CHOOSE A PLAYER:

Flash Pop-up Player |  iTunes |  Quicktime |  Windows Media |  Real Audio |  Winamp |  iPhone |  Blackberry |  [ HELP ]

[ close ]
BasementSoul Radio :: Tune in with your Mobile device
Current listeners:      Stream status:


Loading...

Tune in to BasementSoul Radio



Print This Page   Send This Page to a Friend   



FEATURE: John Morales - Original Mixer





John Morales was born in the Bronx, New York. He is recognized worldwide as one of the early pioneers of Dance Mixing/Remixing,and producing beginning his career in 1975 as a local DJ in the Bronx.

John has been involved in the creation of hit records for the better part of 30 years. Known in the industry as an innovator and chance taker, he has always welcomed the challenge of working with new artists and has never been afraid to try new and different ideas.

The road to the top of the profession has been a long and steady climb for John. He honed his talents in an unlikely arena - as a disc jockey for the United States Air Force. "It was two hours a night," he recalls. "Your main job was to take their minds away from reality ...." After that grueling hitch, he returned to New York and a day job, mixing music at night in his homemade studio, pursuing his lifelong dream. John landed a gig at the Stardust Ballroom in the Bronx, spinning for "tops, $40-$50 a night, but you considered yourself lucky. Guys do it for nothing." In order to get some relief from his relentless work schedule (seven nights a week, 12-3pm., 7-1Opm., then 10pm-3am.), John began to mix his sounds on tape. He transferred some of his remixes to vinyl to be played by other DJs.

When Morales sits behind a recording console, or digital workstation, to execute his ideas, it isn't long before everybody gets up and out on dance floors in homes and nightclubs around the world. He works at night so that others can play. His "office" might be anywhere on the globe, North America, Europe, or the Orient. Behind the console, John is involved in the intricate process of creating the productions, as well as the remixes that will eventually help to establish a new artist or revamp the sonic image of an already recognizable star.

Initially considered a mere technician, Morales is now recognized as an integral part of the creative process and an artist and writer in his own right. His contributions may literally make or break a record, yet often appear as only a credit line on the back of the sleeve. There has been a corresponding surge of interest in these anonymous artists among the record consumers, including the enthusiasts who seek out particular mixes of a given song.

With his distinctive touch on a recording, things begin to happen. While feet and hips are moving, so are the hits - right up the international charts. Morales offers a physical analogy of his craft: "It's like being a plastic surgeon" or, as one UK paper noted, "You'll find the John Morales M&M Mix on many of your favorite club hits ... what John tends to do is make them more danceable, make them beefier, give them more percussive interludes and generally add dynamic elements ... we should have a little corner on every single's (review) page; He fiddles with so many records, they're probably wondering why people recorded them in their original forms."

John has worked on over 450 mix/remix and production projects for such renowned artists as Aretha Franklin, The Rolling Stones, Al Jarreau, Billy Ocean, Vanity, The Commodores, Hall & Oates ,The Temptations, Marvin Gaye and countless others. His last production projects in the 90s included such acts as Debbie Gibson, Brenda K Starr, Denese Lopez, The Nylons, The Thompson Twins, The Blow Monkeys, Five Star, Art Of Noize, and many others.

Today, after over 10 years in hiatus, Morales is prepared to take a foothold and return to the industry that he loves so much. Inspired by and rekindled with the passion to be creative and expressive, he is once again creating the rhythms and sounds that made the whole world dance. Let the world be forewarned.

John Morales reciently completed mixing Marvin Gaye's lost "Love Man" sessions, a forthcoming 2-CD 25th Anniversary edition of "In Our Lifetime," Marvin's last album for Motown. John is also in pre-production on some of his own material, as well as preparing a series or CDs based on the history of M&M Mix Productions.

http://www.johnmoralesmix.com




-- #168 Posted on Thursday, February 4, 2010 --





All News | About | Bios | Events | Features | Newsletters Poems | Spotlights | Videos



basementsoul:
events

Peachtree City Jazz Series presents George Benson in concert June 1st...

Preserve Jazz Festival by coach featuring Kirk Whalum, Nicole Henry, Alex Bugnon, Eric Essex, Eric Darius, and Keith Williams in Atlanta June 3rd...

House is a Feelin, Ron Pullman and DJ Doc ATL 5/18...

Atlanta Jazz Festival 2012 Has Landed...

Lonnie Liston Smith, Ronnie Laws and Tom Browne on Friday, May 18th in ATL...


basementsoul:
features

ALV Webdesign Atlanta Makes it Easy for Entertainers and Small Businesses to Get Online...

BasementSoul Media Launches ALV Webdesign...

R.I.P.: Pioneering NYC disco DJ Carlos De Jesus...

Whitney Houston dies, [August 9, 1963 - February 11, 2012]...

Funkjazz Kafe: Diary of a Decade Documentary...


basementsoul:
biographies

Jeff Bradshaw Charismatic and Larger Than Life Personality...

Madia Believes in the Inherent Value of Music...

Singer/Songwriter Classic Cauley has a PURE Love for Great Music...

James "Biscuit" Rouse came by his love of music naturally...

Soul Rebels Brass Band performing in Atlanta March 17, 2012...

Alexis Sutter Band, This Hole That I'm In...







Fusicology